HW-103
The HW-103 is clearly inspired to 70’s era of HIWATT Amplifiers, and exactly reproduces that kind of tone made famous by David Gilmour. Big Headroom, punch, and that kind of “pedal platform” neutral clean tone, to be the best friend of any pedals and offers the best solution for rehearsals, gigs, home practice, studio applications, without compromises. The Analog Variable Cabinet Simulator is a 100% analog simulation of different EQ curves that speakers and microphones apply to your amplifier in real life, and with a simple and effective knob, makes you able to find your best sweet-spot to make the direct out sounds exactly like your real speaker behind your back. It is not just another post EQ control, it works on the feedback of certain frequencies, making the cab simulator so much powerful and versatile. As like his predecessor, awarded KOLT45, he HW-103, really offers the same experience of using an old tube hi watt head and takes pedals like any other. Just bring your HW-103 into your gig bag and connect it to any speaker, to any PA, simultaneously or even just the XLR out with any cab connected. No regrets, No tone compromises.
M-1959
The M-1959 is clearly inspired to 60’s era of Marshall Amplifiers, and exactly reproduces that kind of tone. Big Headroom, punch, slight crunch when pushed, and the ability to be pushed in front with any overdrive to get that legendary “M” tone. Our Miniamp series is designed to be the best friend of any pedals and offers the best solution for rehearsals, gigs, home practice, studio applications, without compromises. The Analog Variable Cabinet Simulator is a 100% analog simulation of different EQ curves that speakers and microphones apply to your amplifier in real life, and with a simple and effective knob, makes you able to find your best sweet-spot to make the direct out sounds exactly like your real speaker behind your back. It is not just another post EQ control, it works on the feedback of certain frequencies, making the cab simulator so much powerful and versatile. The M-1959 is designed after our multi-awarded Marshall emulators such the 1959Doubledecker pedal, and his miniamp predecessor Plex55. Now it’s available in 100W rms of power into 4 Ohms, so it will be always enough, no matter wich cab impedance you have available. Just bring your M-1959 into your gig bag and connect it to any speaker, to any PA, simultaneously or even just the XLR out with any cab connected. No regrets, No tone compromises.
TW-100
The TW-100 is clearly inspired to 60’s and 70’s era of Fender Amplifiers, and exactly reproduces that kind of tone. Big Headroom, punch, Bass, and brilliant High frequencies that make it one of the best clean amp of history. Our Miniamp series is designed to be the best friend of any pedal and offers the best solution for rehearsals, gigs, home practice, studio applications, without compromises. The Analog Variable Cabinet Simulator is a 100% analog simulation of different EQ curves that speakers and microphones apply to your amplifier in real life, and with a simple and effective knob, makes you able to find your best sweet-spot to make the direct out sounds exactly like your real speaker behind your back. It is not just another post EQ control, it works on the feedback of certain frequencies, making the cab simulator so much powerful and versatile. You can easily find on youtube some test we did with the previous model Tweed55, comparing it directly with a real Fender Blackface ’67 Twin Amp, using his own speaker and having exactly the same tone. Now it’s available in 100W rms of power into 4 Ohms, so it will be always enough, no matter which cab impedance you have. Just bring your TW-100 into your gig bag and connect it to any speaker, to any PA, simultaneously or even just the XLR out with no cab connected. No regrets, No tone compromises.
V-100
The V-100 is clearly inspired to 60’s era of Vox Amplifiers, and exactly reproduces that kind of tone. Big Headroom, punch, Mids, and brilliant High frequencies that made it one of the most characteristics tone in the rock history. Our Miniamp series is designed to be the best friend of any pedals and offers the best solution for rehearsals, gigs, home practice, studio applications, without compromises. The Analog Variable Cabinet Simulator is a 100% analog simulation of different EQ curves that speakers and microphones apply to your amplifier in real life, and with a simple and effective knob, makes you able to find your best sweet-spot to make the direct out sounds exactly like your real speaker behind your back. It is not just another post EQ control, it works on the feedback of certain frequencies, making the cab simulator so much powerful and versatile. V-100 offers you an exact emulation of the Vox AC30 preamp section with his legendary yet weird tone stack with bass cut and treble cuts. Just bring your V-100 into your gig bag and connect it to any speaker, to any PA, simultaneously or even just the XLR out with any cab connected. No regrets, No tone compromises.
Gallery
Power In | 30VDC – 4A (positive TIP) |
Power out | 100W RMS @4Ohm max 3%THD |
XLR out Impedance | <20K Ohm |
Speaker Output Impedance | 4/8/16 Ohm |
S/N ratio | <90db |
Lenght | 90mm. (3,5”) |
Width | 127mm. (5”) |
Height | 30mm. (1,2”) |
The VARICAB control is an Analog Variable Cabinet Simulator that let you find
the right sweet spot when going direct to mixer console, audio interface, or
wherever you want to hear your guitar/pedalboard, sounds like it sounds with
your guitar cabinet. It’s not just an EQ control, it works on the Feedback of the
preamp, so: Adjust the preamp amount, and just rotate the VARICAB control to
change the tone, then enjoy the separate XLR Volume Level – MASTER Level
TIPS:
The image of a small combo on right and a full 4×12” on left, doesn’t mean just
Bright-Dark.. but express the complexity of harmonic content, and richness of
sound that is typical of different amps. Always check both sides to hear what it
changes, cause the Varicab is also meant to better fit different input impedance
of different kind of devices. The Varicab effect is strictly dependant by the
preamp volume, and our suggestion is to connect it to a line input, instead of a
pre-mic input on your Audio interface, to not sum 2 preamps.